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Korea Australia Friendship Association Inc.
Community Service in Tea Tree Gully
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Southside Community Services Hall, 63 Boolimba Cres. Highbury. Tea Tree Gully, SA, 5089.
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Martial Arts in Tea Tree Gully, Health in Tea Tree Gully, Mental Health in Tea Tree Gully, Art in Tea Tree Gully

Mental and physical health - meditation - stress relief and relaxation - develop self confidence - learn discipline and respect hokushin shinoh ryu iaido shin bu kan iai-do is a japanese martial art that practices smooth, controlled drawing of the katana from its saya (scabbard), cutting or striking an imaginary opponent (kasou-teki) and then removing blood from the blade before replacing the sword in the saya. Most ancient schools of iai-do trace their roots back to this one man. Hokushin shinoh ryu iai-do consists of twenty nine offensive and defensive movements (waza). The founder of iai-do was the master swordsman hayashizaki jinsuke shigenobu who lived around 1550 ad during the muromachi period. Many of these start from the formal kneeling position called seiza; rise through to the standing position and end by sheathing the sword (noto) while returning to the kneeling position.

They must also be affiliated with their Tojo of origin. Only the head of the Kali is authorized to grade Dan levels. He later resigned from his position of director from Shiloh Kali because of the distance which made him absent from General Meetings and all directors’ meetings and other functions in Japan. IaiDo is a Japanese martial art that practices smooth, controlled drawing of the Katina from its Maya (scabbard), cutting or striking an imaginary foe (Kasouteki) and then removing blood from the blade earlier replacing the sword in the Maya. Many of these begin from the formal kneeling position called snatch rise through to the standing position and end by sheathing the sword (Soto) while returning to the kneeling position. It was during this time that Chiba Shusaku Narimasa earned his reputation as a formidable swordsman. Challenges were normally conducted with both swordsmen using Bokken (wooden sword) or Sinai (bamboo sword) and is a formal way for Japanese swordsmen to duel and not get killed as a direct consequence. The Tojo owner would decide what weapon was to be old and quite often would let one of his students confront the challenger first so that he would be qualified to examine his opponent’s technique. There was everlasting a referee donate and the duel would be the superior of three contests with the winner being declared with two wins. In 1835, he was appointed martial instructor and taught swordsmanship to members of the Tokugawa family in Milo, Chiba prefecture. In 1852 and as a tribute to this great master swordsman, a plaque with Chiba Shusaku Narimasa’s name and a list of his students inscribed upon it was offered to the Asakusa Temple in Eco. His Tojo was destroyed by fire in 1945 due to the allied bombing of Japan. His Great-Grandfather was a retainer to the Daimyo and it was from this Lord that his family received the name Kimura.

Whenever one draws a mounted sword out or its bag or scabbard, make safe the position of the hilt does not go lower than the scabbard. How to draw a sword out of the scabbard and put it back. Since the scabbard is a rather tight fit at the opening where the collar (habaki) is fitted (koiguchi), the initial pull must be carefully made so that only the collar’s length gets drawn out. Holding the blade still, pull it completely out of the scabbard very slowly making definite the cutting edge never faces down or sideways. Therefore, it is necessary to thoroughly unfasten the old oil and replace it completely with new oil. To remove the hilt, retain its final with the left hand on the side where the back of the blade is fit, and retain the blade in a slightly angled upright position. When the tang (nakago) becomes slightly loosened in the hilt, repeat until the tang comes out of the hilt by itself. Be conscientious not to hit the left wrist too solid with the correct hand as there is a danger that blades with short tangs like canto might bounce out of the hilt entirely. When the blade is taken out of the hilt, the peg removed from the hilt should be replaced. When the collar is fit too tightly to remove, it can be loosened by hitting it with a wooden hammer on the back (June) behind covering the collar with a cloth for protection. The wiping process requires two pieces of paper. Beginning place the cleaning paper on the back and fold it into halves toward the edge. Then, without putting back the hilt, collar and other attachments, the blade alone must be placed back in the scabbard. Behind placing it in the left hand, put the oiling paper on the back to do the same movement as described in the wiping process. To make safe the blade surface is thoroughly covered with oil, repeat the equivalent procedure a scanty times. Impartial as in the wiping, the handling of the sword as healthy as the oiling paper must be most carefully done. However, an luxurious amount of oil must also be avoided here. Separate the peg from the hilt, draw the blade out of the scabbard, hold it in the right hand in an almost upright position, pick up the hilt with the other hand, and put t

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